Showing posts with label pete singleton. Show all posts
Showing posts with label pete singleton. Show all posts

Saturday, May 30, 2009

The World of Singleton

Pete performs "The World of Singleton"

Glass artist Peter Singleton threw a party at the Lo-Fi in Seattle Friday night to show his new series of works called "I Love Chicken". Glass, poetry, fried chicken, hip hop, and dancing rounded out the fantastic evening.

Tuesday, May 5, 2009

I Love Chicken

Seattle artist Peter Singleton has announced his new show in Seattle at the Lo-Fi (429 Eastlake Ave.) on May 29 @ 9pm. There is a $5 cover for the event "I Love Chicken."

Wednesday, April 22, 2009

Seattle Glassblowing Studio in the UW Daily

The February 23, 2009 edition of the UW Daily featured Seattle glassblowers Jason Christian, John Hogan, Jordan Brandt, John Moreno, and Pete Singleton in a very funny article by Brian Farm called "Not your grandmother's workshop."

"The Seattle Glassblowing Studio has become one of the prime places in this region to go for people with a healthy curiosity in glassblowing or for seasoned artists to expand their repertoire. Started in 1991 by Cliff Goodman, a master glassblower, this art studio offers classes in many levels from beginning to advanced and specialty classes.

In addition to these workshops, many local companies host team-building events in the studio as well as demonstrations for passersby while the production team works.

Goodman, who studied at the world-renowned Pilchuck Glass School in Stanwood, Wash., came to Seattle more than 15 years ago to start his own studio after realizing there was nowhere in the region to go for this type of art.

“There was nothing like it,” said studio director Cyrena Stefano.

While glassblowing is considered by many to be a modern art form, Syrians have practiced the particular technique of blowing glass since the first century. Since then, little has changed in this technique, save for newer equipment making the process faster and increasingly precise.

When made with bright and vivid colors, the translucent pieces become more than just glass and can transform the atmosphere surrounding them.

They can turn an ordinary room into flashes of colored light that diffuse across floors and walls.

If you want some kind of art to liven a room — and have a lot of money — there are many stunning works to pick from in the gallery just outside the studio. From little animal ornaments to bigger elegant bowls and giant circular vessels, there is a piece of art that can modernize any space.

Seven- or eight-person teams work in flawless synchronism around flaming torches and ovens that burn up to 2,400 F. This is not your grandmother’s workshop. With 15 to 20 people in a classroom, it can be a little crowded as artists hover around the kiln. With music blasting, it is difficult to hear, much less concentrate on the task at hand. Everyone in the room has burn marks on their arms and hands. Seasoned glassblower John Moreno said he gets burned “once every couple weeks.”

Farm, B. "Not your grandmother's workshop." UW Daily, February 23, 2009.
http://dailyuw.com/2009/2/23/not-your-grandmothers-workshop/

Sunday, April 19, 2009

Fluent Steps


"Fluent Steps" @ The Tacoma Museum of Glass.


Four who work on Martin Blank's talented hot shop crew: Bryn, Jason, Evan and Pete.

Martin Blank and Tim Close wade into the reflecting pool to cut the ribbon.

The Madrona Log: Martin Blank brought a Madrona into the MOG hot shop to sculpt with.
On April 17, 2009 at 5:30, Martin Blank's permanent installation in the reflecting pool at the Tacoma Museum of Glass, after 2 1/2 years, was finished.