Jessamy Kelly in UK Times

Sometimes you come across articles that state that glass making is a dying art, this is one of them. Previous posts in this blog include a video on Murano hot shops losing business, and a semi-serious article on the top jobs you should go see being performed before they are lost (including glassblower and elephant washer). "There are very few studios left in [Scotland]," Kelly says in the article. And visiting glass artist Karel Novak lamented to me that several large glass factories had closed recently in his country, the Czech Republic, putting a lot of glassblowers out of work. Those involved closely with glass don't see it as an anachronism, with several U.S. cities, towns and regions adding glass as a tourist attraction (Tacoma, Louisville, Hampton Roads) glass is all but a dying art here. However, the growing number of glassblowers and glassmaking facilities doesn't preclude inferior technique, skill, and innovation. A surface glance of glass here in the U.S. would show that glass is flourishing, but a deeper look, such as this article takes in only a few paragraphs, is necessary.

2009 Rachel Devine:

"It’s a rare thing to look at a cocktail and be equally seduced by the shapely glass as the liquid it holds. Jessamy Kelly’s designs, however, are the kind of glasses that could throw a party all by themselves.

Simple and elegant in style, each piece of “art glass” is a limited edition — the sculptural and sensual forms are inspired by the contours of a soft landscape and the curves of the human body.

“It’s all about the material for me,” says Kelly. “I’m very focused on the qualities of material and how I can bring out the best in them.”

Kelly, 30, took her bachelor of arts degree in glass and ceramics at the University of Sunderland before studying for her master of design degree at Edinburgh College of Art in 2002, which included a valuable placement at Edinburgh Crystal as a student glass designer and apprentice.

“There are very few glass blowing studios left in the country,” she says. “What I picked up at Edinburgh Crystal really cemented my passion for glass making.”

Last week she handed in her PhD on glass practices, a comprehensive study of traditional and contemporary techniques, which should make her a “doctor of glass” by the end of the year. She has also been appointed artist-in-residence at Edinburgh College of Art where she will pass on the skills she has learned to other students.

Already a specialist in her field at such a young age, Kelly’s clients include Edinburgh Crystal and the television designer Kevin McCloud’s homeware brand Place.

It’s not difficult to see why her unique, high-end designs are so much in demand. She uses traditional techniques such as kiln casting, fusing and glass blowing to create the complex scultpural [sic]forms.

Kelly channels light by cutting away or manipulating the materials to expose the inherent qualities of glass and ceramics (she often combines the two materials in one piece). The refining process is also a mix of traditional handcrafted techniques such as engraving, diamond cutting and sandblasting.

“Glass and ceramics are materials with many common qualities; processed in similar ways, they are transformed into functional or decorative objects,” she says. “They are however, not often combined in artistic practise. The translucent blend of glass and ceramics intrigues me, when light passes through the materials to reveal an inner beauty and luminosity.”

These are techniques that are slowly dying out, but Kelly hopes her published research and artist-in-residency will help pass them on to a new generation of glass makers.

“A lot of the techniques are very specialised and can be very time consuming when you’re first learning them,” she says. “Unfortunatety, the crystal glass industry has been dying for a while and all those techniques are in danger of being lost. But a few people are still practising and I keep going with it because I enjoy it so much. I’m very much about sharing.” "

Devine, R. "Glassmaker's cutting edge design for life." The Times Online. October 11, 2009. Accessed October 12, 2009. http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/visual_arts/architecture_and_design/article6869312.ece

Lindean Mill Glass @ Bonhams

From the Selkirk Advertiser, Scotland:
"Two contemporary glassworks produced by a Selkirk studio could fetch £6,000 at a top London auctioneers. Annica Sandstrom and David Kaplan, who own Lindean Mill Glass, will see their work line up alongside 13 top-selling artists for Bonhams inaugural modern and contemporary glass sale on May 19. The auction is expected to attract bids from around the world and both of their lots – named Spine and Between the Lines – are estimated to make between £2,000 and £3,000 each. Although the estimate maybe out of the price range of the majority of visitors to Lindean Mill, Annica says both items represent a fair price for the sculptors’ efforts.

“It takes us weeks to make a piece and there are many steps involved,” she added. “The time and effort we take is reflected in the price.

“Myself and David work as a team on each piece. He blows the glass in workshop which is then shaped in a kiln and cut into shape by me.

“You never know with auctions, especially in these uncertain times, but we would hope the bidding reaches the estimate price.”

Annica and David secured a spot in the auction, the first of its kind in the United Kingdom, after being contacted by renowned art agent Dan Klein. Alongside the work of Lindean Mill will be that of Stanislav Libensky from the Czech Republic, who achieved celebrity status when a glass sculpture of his sold for a world-record auction price of $400,000 in New York. Libensky has another glass sculpture in Bonhams’ London sale, which is estimated to sell for a more modest £15,000, while well-known American artist Dale Chihuly’s ‘Soft Cylinder’ piece is expected to go for £9,000.

Annica said: “Dale has a chandelier in the entrance of the Victoria and Albert Museum in London, which just has to be seen. To people involved with glass he is a big name.

“It is great to be featured in this catalogue of new works alongside such artists as Dale and Stanislav.

“Sales of this type are common in America, but this will be the first modern and contemporary auction in the UK so it will be interesting to see how our piece gets on.

“We have been making glass for more than 30 years and had our work included exhibitions for years, but this is a first.”

Mark Oliver, head of decorative arts at Bonhams, added: “The sale is an exciting first in Britain and a marvellous opportunity for collectors of post-war glass to secure some key pieces.

“Our working relationship with Dan Klein Associates has meant that the profile of the sale is likely to attract many keen bidders from across the world.”

Lindean Mill Glass is no stranger to acclaim, with Annica and David’s work having been featured in the Scottish and Aberdeen Art galleries."

Paterson, Kenny. "A touch of glass to go under the hammer." Selkirk Weekend Advertiser. May 7, 2009. Not the full article. Website Accessed May 8, 2009. http://www.selkirkweekendadvertiser.co.uk/selkirknews/Touch-of-glass-to-go.5245686.jp

Photo Credits: Lindean Mill Glass website--http://www.lindeanmillglass.co.uk/gallery/index.php